It's recommended to look Chesty Anderson, USN movie (Anderson's Angels).
Movie Is being made - in 1976.
Certificates: USA:R
Color Info: Color
Countries: USA
Genres: Comedy
Languages: English
Runtimes: 88
Sound Mix: Mono
Tech Info: OFM:35 mm, PFM:35 mm
Release Dates: USA:November 1976
That "Super Vixen" Girl is Back and She's Bigger Than Ever!, It's a tidal wave of laughs When "CHESTY" puts her deadly weapons into action!
In movie played:
Frank Campanella (actor)
Nick Names:Uncle Frank
Death Notes:Los Angeles, California, USA
Height:6' 5"
Birth Notes:New York City, New York, USA
Other Works:TV commercial Coors Light (2006), Guys and Dolls (1965). Musical comedy (revival)., Nobody Loves an Albatross (1963)., Nowhere to Go But Up (1962). Musical. Music by Sol Berkowitz. Lyrics by James Lipton. Book by James Lipton. Music orchestrated by 'Robert Ginzler' (qv). Music arranged by Robert Ginzler. Vocal arrangements by Herbert Greene. Musical Director: Herbert Greene. Choreographed by Ronald Field. Directed by 'Sidney Lumet' (qv). Winter Garden Theatre: 10 Nov 1962- 17 Nov 1962 (9 performances + 3 previews). Cast: 'Marty Allen (I)' (qv) (as "Member of The Gang"), 'Val Avery' (qv) (as "Policeman/Reporter"), Robert Avian, 'Martin Balsam' (qv) (as "Moe Smith"), Nicole Barth, 'Tom Bosley' (qv) (as "Izzy Einstein"), 'Frank Campanella (I)' (qv) (as "Lupo"), Sally Ann Carlson, 'Bert Convy' (qv) (as "Tommy Dee"), Diane Coup, Joel Craig, Dorothy D'Honau, Lillian D'Honau. Rico Froehlich, Bruce Gordon, H.F. Green, Blair Hammond, Maureen Hopkins, Todd Jackson, Jami Landi, Sally Lee, 'Phil Leeds' (qv) (as "Hymie/Hop Wong"), Jodi Kim Long, Dorothy Loudon, Barbara Marcon, Michael Maurer, Larry Merritt, 'Mary Ann Mobley' (qv) (as "Jean Morgan"), Frank Pietri, Dan Rehg, Sandra Roveta, Bill Starr, Dean Taliaferro, Gerald Teijelo, Eleonore Treiber, Art Wallace, James Weiss. Produced by Herbert Greene, Kermit Bloomgarden and Stephen H. Scheuer., The Deadly Game (1960)., Sixth Finger in a Five Finger Glove (1956). Written by Scott Michel. Original Music composed by Charles Strouse. Directed by John Holden. Longacre Theatre: 8 Oct 1956- 9 Oct 1956 (2 performances). Cast: Leopold Badia, 'Conrad Bain' (qv) (as "Dr. Peter Hoenig"), 'Wyrley Birch' (qv) (as "Grandfather Holly/voice"), 'Frank Campanella (I)' (qv) (as "Frank Castellano"), Charles Campbell, Bruce Evans, Walter Fisher, Samuel Gray, Gladys Holland, 'Paul Huber (II)' (qv) (as "Dr. John Evans"), Salome Jens, Mike Keene, 'James Komack' (qv) (as "Matt Holly"), Charles Mendick, Bill Zuckert. Produced by Gertrude Caplin and Thelma Finger., Remains to Be Seen (1951). Comedy. Written by 'Howard Lindsay (I)' (qv) and 'Russel Crouse' (qv). Directed by 'Bretaigne Windust' (qv). Morosco Theatre: 3 Oct 1951- 22 Mar 1952 (199 performances). Cast: 'Jackie Cooper (I)' (qv) (as "Waldo Walton"), Harry Shaw Lowe, Madeleine Morka, 'Janis Paige' (qv) (as "Jody Revere"), 'Warner Anderson' (qv) (as "Dr. Charles Gresham"), Howard Lindsay (as "Benjamin Goodman"), Edith Bell, John Bouie, Jonathan Brewster, Kirk Brown, Jr., 'Frank Campanella (I)' (qv) (as "Tony Minetti"), 'Ossie Davis' (qv) (as "Al, The Porter"), Lew Herbert, 'Ross Hertz' (qv) (as "Dr. Chester Delapp"), Joseph Latham, Paul Lipson, Alexander Lockwood, 'Karl Lukas' (qv) (as "Edward Miller"), 'Hugh Rennie' (qv) (as "Robert Clark"). Produced by 'Leland Hayward' (qv)., Stalag 17 (1951). Comedy/melodrama. Written by 'Donald Bevan' (qv) and 'Edmund Trzcinski' (qv). Scenic Design by John Robert Lloyd. Lighting Design by John Robert Lloyd. Costume Design by Noel Taylor. General Manager: Milton Baron. Company Manager: J.R. Williams. Production Stage Manager: 'Buford Armitage' (qv). Stage Manager: Earl J. Brisgal. Assistant Stage Mgr: Eric Fleming. General Press Representative: David Lipsky. Assistant Press Representative: Joseph G. Lustig. Press Representative: Peggy Phillips. Advertising: Lawrence Weiner. Directed by 'Jos Ferrer (I)' (qv). 48th Street Theatre: 6 May 1951- 21 Jun 1952 (472 performances). Cast: Jess Cain, 'Frank Campanella (I)' (qv) (as "Horney"), Garry Davis, 'John Ericson' (qv) (as "Sefton") [Broadway debut], Eric Fleming, Douglas Henderson, Laurence Hugo, 'Harvey Lembeck' (qv) (as "Harry Shapiro"), Curt Lowens, 'Frank Maxwell' (qv) (as "Hoffman"), 'Allan Melvin' (qv) (as "Reed") [Broadway debut], William Pierson, Richard Poston, Lothar Rewalt (as "Corporal Shultz"), Mark Roberts, Ludwig Roth, Robert Shawley, Otto Simanek, 'Robert Strauss (I)' (qv) (as "Stosh"), Edwin Strome, Arthur Walsh. Produced by Jos Ferrer. Associate Producer: 'Richard Condon (I)' (qv)., Volpone (1948). Comedy (revival)., Galileo (1947). Music by Hanns Eisler. Written by 'Bertolt Brecht' (qv). Translated by 'Charles Laughton' (qv). Lyrics by Albert Brush. Choreographed by Lotte Goslar. Directed by 'Joseph Losey' (qv). Maxine Elliott's Theatre: 7 Dec 1947- 14 Dec 1947 (6 performances). Cast: 'Wesley Addy' (qv) (as "Old Cardinal"), Capt. Sidney Bassler, Leonard Bell, Harris Brown, 'Frank Campanella (I)' (qv) (as "Senator II/A Scholar"), 'Mary Grace Canfield' (qv) (as "Elderly Lady"), 'John Carradine' (qv) (as "Inquisitor"), Michael Citro, Taylor Graves, Don Hanmer, Pitt Herbert, Harry Hess, 'Werner Klemperer' (qv) (as "Infuriated Monk"), 'Rusty Lane (I)' (qv) (as "Barbarini"), Charles Laughton (as "Galileo"), Richard Leone, Iris Mann, Dwight Marfield, Allen Martin, Joan McCracken, Earl Montgomery, Elizabeth Moore, Thomas Palmer, 'Nehemiah Persoff' (qv) (as "Andrea"), Philip Robinson, Larry Rosen, Lawrence Ryle, 'Hester Sondergaard' (qv) (as "Sarti"), 'Warren Stevens' (qv) (as "Informer"), 'Fred Stewart' (qv) (as "Priuli"), John Straub, Philip Swander, Donald Symington, Albert Tavares. Produced by The Experimental Theatre, Inc., ANTA (Alfred de Liagre Jr: executive producer. Jean Dalrymple: executive director) and T. Edward Hambleton.
Brother of actor 'Joseph Campanella' (qv)., Tall and imposing-looking Italian-American character 'tough guy' who contributed hundreds of roles to Broadway, film and TV, playing both cops and pugnacious bad guys., Originally set out to be a concert pianist. His father was a musician and piano builder and played in orchestras backing up such musical luminaries 'Jimmy Durante' (qv), 'Al Jolson' (qv) and 'Eddie Cantor' (qv)., Studied drama at Manhattan college., Growing up in New York speaking Italian before he learned English, he later worked as a civilian interpreter during WWII deciphering Italian and Sicilian dialects for the U.S. government., Coached 'Robert De Niro' (qv) to Oscar-winning success with his Sicilian dialog in _The Godfather: Part II (1974)_ (qv)., Had minor roles in a large number of director 'Garry Marshall' (qv)'s films., Once co-hosted a radio show titled "Offbeat Notes on Music" for KCSUN., During World War II he worked as a civilian interpreter, deciphering Italian and Sicilian dialects for the U.S. government., Enrolled at Manhattan College as a drama major., Helped Robert De Niro with the Sicilian dialog in "The Godfather Part II."., Died of complications from Crohn's disease, a disease that causes inflammation of the gastrointestinal tract.
Death Date:30 December 2006
Birth Date:12 March 1919
Timothy Carey (actor)
Articles:"Film Comment" (USA), January 2004, Vol. 40, Iss. 1, pg. 58, by: Alan Licht, "Knocking On Heaven's Door: Rediscovering Timothy Carey's 'The World's Greatest Sinner'"
Death Notes:Los Angeles, California, USA (stroke)
Timothy Carey individual one of the incomparable out of character career of all Hollywood persona actor, obtain enclosed by depth cult regard in help of his portrayal of the doomed, the psychotic and the unembellished loony. Carey's import be an "Only in America" field of description, and he retain his status in prearranged down of a Great American Original a decade after his extermination. As a 22-year-old acting college graduate, he made his exhibit debut in 1951 as a aching in a 'Clark Gable' (qv) western, but it was his provisional, uncredited sector as Chino, a beneficiary of 'Lee Marvin' (qv)'s motorcycle gang The Beetles in _The Wild One (1953)_ (qv) that made an silhouette and was a harbinger of the unsavory things for the future. Prone to improvising, it was the bold Carey who come conscious beside the hypothesis of squirt beer in 'Marlon Brando' (qv)'s obverse, even on the other hand the Great Method Actor himself had expressed reservations almost what Carey was able to. He also register that year as the bordello bouncer who threaten 'James Dean (I)' (qv) in _East of Eden (1955)_ (qv), making his face, if his heading (he was uncredited in both parts), certain to the mass listeners. Carey follow this up with grand acting job in two 'Stanley Kubrick' (qv) films, _The Killing (1956)_ (qv) and _Paths of Glory (1957)_ (qv). In the one-time he play the sociopath Nikki Arane, who be contracted to shoot a race colt, which he do with excellent glee. In "Paths of Glory" Carey had an atypically benevolent role as French fighter Pvt. Ferol, incorrectly condemned to be shot to atone for the stupidities of his generals during World War I. However, it was in _Bayou (1957)_ (qv) that Carey reach his apotheosis as an musician: as the psychotic Cajun Ulysses, he craft an indelible manners that go bygone the possible confines of show scenery-chewing. He become Ulysses, on-screen, the childish Cajun who epitomize base, his psychosomatic illness in need fault encapsulated in the psychotic jig Carey dance to more fully limn his character's psychosis. This classic exploitation film was re-cut and re-released as "Poor White Trash" (1961), and became a grindhouse _Gone with the Wind (1939)_ (qv), playing to crowd until the 1970s (and becoming, retrospectively, one of the top-grossing films of 1957). Carey's career as a Hollywod fatty was in so doing verified, though copious director saw the talent lurk inside his substantially forbidding, 6'4" bones. His former co-star Brando directed him in _One-Eyed Jacks (1961)_ (qv) (Brando's single directorial effort), a film Kubrick originally was planned to put out, gunning fleece the shotgun-wielding heavy in the formula. 'Francis Ford Coppola' (qv) try to letting him for _The Godfather (1972)_ (qv) and _The Godfather: Part II (1974)_ (qv), but Carey was compatible higher than his personal extend beyond during the shooting of the foremost classic and turned down the opportunity to come to outshine in the second. He execute agree to appear in Coppola's _The Conversation (1974)_ (qv), but another classic, but walk bad the set during film. 'John Cassavetes (I)' (qv) trademark a contribution him a prominent role in _Minnie and Moskowitz (1971)_ (qv) and house him as the second coordinate in _The Killing of a Chinese Bookie (1976)_ (qv). Carey's penchant for improvising (in the bloodshed scene for "Paths of Glory," his character was held to hang on speechless, but Carey instigate moaning "I don't what to pass away," and Kubrick kept it in the film) coupled with his lush behavior gave him a reputation as draining to sweat with in the 1960s. During that tumultuous decade, Carey spoofed his psycho blind dummy in _Beach Blanket Bingo (1965)_ (qv), playing South Dakota Slim, who--like villain of elderly flickers--straps the second womanly lead to a buzzsaw. As the heavy Lord High-and-Low, he menace 'The Monkees' (qv) in the 'Jack Nicholson' (qv)-penned _Head (1968)_ (qv). Nicholson was one of his biggest fan. Carey's paramount role was in a film he produced, write and directed himself, _The World's Greatest Sinner (1962)_ (qv), where on earth he played a bang 'n roll-singing evangelist who, in a burst of hubris, name himself "God," run for President and is strike down via God himself at the film's climax. As Clarence Hilliard, the deposit salesman who drop out of shortest society, start his own evangelical spirituality (using rock 'n drive music played by himself and a leash feature a female saxophone player to lash up the crowds and work the masses) and at the end of the day runs for president, Carey fully realize his talent, a grindhouse, exploitation circuit 'John Gielgud' (qv) assay his Hamlet. Filmed fitfully involving 1958 and 1961 for a complete fee of crudely $100,000 (the shooting was sporadic because the amount produced kept running out of money), it remainder one of the most not personable works in grindhouse cinema--even 'Elvis Presley' (qv) himself ask Carey for a fake! (Carey, always in character as The Jester, refuse The King's request). Carey's finishing film was _Echo Park (1986)_ (qv). A favorite actor of cineaste/video locker clerk 'Quentin Tarantino' (qv), he tested for the role of felony governor Joe Cabot in Tarantino's debut film, _Reservoir Dogs (1992)_ (qv), but the tyro administrator didn't estimate he was fitting for the role. Instead, he cast 'Lawrence Tierney' (qv) (equally great in the grey screen heavy and eccentricity departments) and faithful the film to Carey. Timothy Carey skilled acting in his after that years. This true American Original die of a finger on May 11, 1994, at the age of 65. He is sorely miss, as his close to will not be see again.
Height:6' 4"
Quotes:['Charles Herbert (I)' (qv), who contained by thicken down of a juvenile composer work near Carey by the players of _The Boy and the Pirates (1960)_ (qv)] He, on that big peak, probably panicky me greater than _The Colossus of New York (1958)_ (qv)! But he be a nice man, and he always try to engineer you be aware of, "I'm not really uncontrolled," and you would voice, "Okay." And consequently he would stride away and you'd repositioning, "He's CRAZY!" He was a alarming man., [on his attempt to audition for the role of "Sir Black", the villain, in _Prince Valiant (1954)_ (qv)] I went to Western Costume . . . they fitted me in this outfit, all sashed pants and that had a medieval glove with a weapon from that era. And I thought, "How am I gonna get in there?", so I went to climb the fence at 20th Century-Fox, but I couldn't make it because of the [costume] I had on. It was right near a golf course and a golfer helped me over with a ladder. I told him I was an actor on the set who got lost. I tried to find the director, 'Henry Hathaway' (qv), but he wasn't in his office so I went to the commissary where he was having lunch and said, "Here I am, Sir Black! My men number many. I'm here for the part. Do I get it?" I took out my knife. He said, "Put the knife away, you got the part." Then I was escorted off the lot. I never got the part, but I enjoyed it. It was fun., [on how difficult it was for him to get work early in his career] Someone took me over to see 'Laslo Benedek' (qv), who directed _The Wild One (1953)_ (qv), and he liked me, but he wouldn't let me drive a motorcycle. I guess he didn't trust me. He thought I'd run over a few people.
Mel Carter (actor)
John Davis Chandler (actor)
George Cooper (actor)
George Lane Cooper (actor)
Scatman Crothers (actor)
Phil Hoover (actor)
Fred Willard (actor)
Marcie Barkin (actress)
Uschi Digard (actress)
Shari Eubank (actress)
Brenda Fogarty (actress)
Lynne Guthrie (actress)
Connie Hoffman (actress)
Rosanne Katon (actress)
Joyce Mandel (actress)
Constance Marie (actress)
Betty McGuire (actress)
Nancy Lee Noble (actress)
Pat Parker (actress)
Betty Thomas (actress)
Dorrie Thomson (actress)
Dyanne Thorne (actress)
Philip J. Hacker (producer)
Paul Pompian (producer)
H.F. Green (writer)
Paul Pompian (writer)
Henning Schellerup (cinematographer)
Ed Forsyth (director)
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